So,
after wasting three hours watching a truly pitiful performance from my Bills, I
needed to get my mind to another place; to cheer it up a bit. So, with that in mind, I thought, what better
way than to catch the new Harold & Kumar film. A bit of mindless comedy was certainly what I
needed.
A Very Harold & Kumar 3D Christmas, is, well what you’d expect it to be. It is filled with misadventures, drug use,
sexual innuendo and a whole bunch of other slacker-inspired attributes. But it’s funny, really funny.
I’m
assuming you’ve seen the other Harold & Kumar films. Therefore I’ll simply say that you’re going
to get a whole lot of the same type of humor and antics displayed in the
previous efforts.
What
I’d first like to talk about is the use of the 3D technology. I’ve been waiting for a film to take full
advantage of 3D, and finally, of all the movies, the best use of this
technology is on full display here in Harold & Kumar’s latest offering. The 3D is at a constant throughout the film,
with countless instances of goo, eggs, hands, canes, snowflakes and so forth,
escaping the screen, seemingly inches from your face. This factor alone made the film worth seeing,
but there are a few other reasons to see this movie as well.
Briefly,
the film is chock full of references to other movies, animation and live
action, television shows, music, current events and more. I won’t detail them all, but will say they
poke fun at everything and anyone.
There’s countless stereotypical slants shown in different lights; there
are countless knocks on the characters themselves as well. In Neil Patrick Harris’ brief cameo in this
film he says he’s not really Gay, that he only uses it as a front to get more
women, obviously using different terminology.
There is also another instance where Adrian, Kumar’s “friend,” tells him
that he told this girl that Kumar worked for the white house, to which Kumar
replies, “yeah, who’d ever believe that,” a subtle yet obvious allusion to Kal
Penn’s previously held role in the Obama administration.
But
these types of things we’ve come to expect from the lovable stoners. In this film however, there are two serious
themes underlining the entire project.
The
main theme is how true friendship is incredibly important and can endure any problem
that comes along the way, including major philosophical differences on love and
life. Time is of no consequence either
when it comes to true friendship. You
can pick up where you last left off, despite the number of years since last
seeing one another. This type of
thematic is threaded throughout the film and while spun in their particular
ways of doing things, the idea is portrayed wonderfully.
The
second theme I’d like to talk about is how the idea of family, particularly
parenting is everywhere throughout this film.
In fact, with the amount of attention paid to this theme, I’d be
inclined to suggesting it is in fact the main theme of A Very Harold & Kumar 3D Christmas. This theme is evidenced by:
1.
The idea of
familial love:
A.
Harold’s
father in-law, played by Danny Trejo, is an
intimidating man that strikes holy fear into Harold. He thinks his wife’s father simply hates him,
but as it turns out, he’s only acting in such a way to ensure his daughter is
in good hands, of a man that truly loves here and will do what is needed to
make her happy.
B.
There is a
scene where the girl that Adrian is trying to “hook-up” with is caught in a
precarious position just as her father walks into the room. This father just happens to be a
well-publicized crime boss and sociopath.
He proceeds to put hits out on Harold, Kumar and the rest of the people
at the party. As twisted as this may
sound, he did it for the love of his daughter; that he’d do anything to protect
her.
C.
Harold and his
wife are trying hard to have a baby, which is offset by Kumar inadvertently
impregnating his on again, off again girlfriend. While Harold is shown as ready to take on the
responsibility of parenthood, yet not in a position to add that role to his
daily duties, Kumar is not ready, still living the immature lifestyle of the
slacker-stoner, yet he is the one with this very real responsibility staring
him in the face.
D.
There’s a
season, while Harold & Kumar are tripping out, where the duo are warped
into a reality consisting solely of Claymation.
In this scene you see a moment where they are, while exaggerated to the
nth degree, affection with a young boy they see as a squirrel in the tripping
sequence, thus illustrating, albeit in an unorthodox manner, that they are
there for that kid, as the evil snowman comes to kill them.
E.
The protection
of children aspect continues. The duo is
in Neil Patrick Harris’ dressing room when he is giving impromptu “acting”
lessons to a beautiful dancer. He is
acting wildly inappropriate and eventually she leaves. But the aside shows Harold & Kumar, while
curious as to what will happen next, are disgusted and feel like they must do
something to protect the girl from NPH’s appalling behavior. The fact that they didn’t need to take action
is not of importance, it’s that this disgust appeared in them, which shows they
are moving closer to the point they’ll need to arrive at, in order to become
the responsible and caring parents their “quest” demands.
F.
There’s a
saying that any couple trying to have kids should get a pet, particularly a
dog, first. Apparently there is some
real scientific data to suggest that pet ownership is a verified primer to
parenthood. While not a pet, Kumar does
take offense to NPH’s berating of his waffle-bot. NPH proceeds to give the wafflebot to him,
which Kumar then agrees to this “adoption.”
Throughout the rest of the movie the robot is seen as a surrogate child
to Kumar, where mutual “love” is clearly illustrated. This step furthers Kumar’s transformation
from loser-slacker-stoner to responsible-“adult”-parent.
G.
The converse
is shown as well. Todd, a friend of Harold’s,
who happens upon this misadventure, has his baby with him. While innocent in the regards that he
personally, didn’t play any role in what happens to the child throughout the
film, which I’m purposely withholding as to not spoil it, he’s also guilty of
being a bad parent. He’s guilty because
a good parent would never accept a situation where his daughter would enter
into situations that aren’t appropriate, let alone dangerous. But because of his desperate need of
friendship and his “pushover” personality he gives in to Harold & Kumar and
join, with his daughter, on this much inappropriate journey.
Kumar grows up
throughout the film and by the end you can see his maturity, sort of, as fully
developed, where he’s reconciled his past life with his future life and in so
doing he’s prepared to handle the responsibility of his current life.
Harold grows up throughout
the film as well, but in an entirely different manner. He starts off as the adult, but in so doing a
part of him, a part that is still very real to him, is being repressed, and
therefore he must learn to take control of his current situation, stand up for
himself to his father-in-law, reconcile with his friend and bring back the part
of his life he cast aside, the part that was missing. It’s no coincidence either, that at the very
end of the film, after all the atonement has taken place, that he’s presented
with the news that his wife is now pregnant as well.
I
was actually amazed I saw this theme in this film. It came completely out of the blue and took
me decisively by surprise. Yet, after
thinking about it for a bit, should it really have been that big of a
surprise? After all, the film is about
Christmas, and what greater story about parenting is there?
Harold
& Kumar deliver yet again. Is A Very Harold & Kumar 3D Christmas unorthodox,
crude, and inappropriate for most audiences? Yes, but its also really funny and
surprisingly endearing as well.
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