Showing posts with label society. Show all posts
Showing posts with label society. Show all posts

Friday, November 23, 2012

The Cycles of History. (Forming, Adapting, Revolutions, Alterations)

1000 years ago

750 years ago

475 years ago

250 years ago

100 years ago

The Current Timeline

100 years projected

250 years projected

475 years projected

750 years projected

1000 years projected


Time shifts.  Beliefs change.  Societies bend in manners that are from the borderline brutally obscene, to the answered timelines of prayer.

All of our accomplishments, all of our philosophical renderings, are, at times, heightened, only to eventually crumble.

Our attitudes, our systems, our perceptions, interpretations, ability to adapt to undue circumstances, fully blossom as they die, and die as they bloom.

The inevitability of time is as abstract as any.  Yet, the incongruity of it all, is how, if you live in one of these segmenting factions of time, you are able to bear witness to the evolution or devolution, as it is taking place, as it has occurred, and…

While you may see the possibility in tomorrow, while you may be enlightened to believe in mankind's ability to adapt and grow, you must also understand that mankind certainly has it's flaws, and the negation of your expectations are just as likely as the harmony in which your mind so poignantly displays.

Their are, as is the case right now, a bleakness in the air, a devastating wind that impales our composure, decimates our ability to motivate and/or predict a future that has overcome the bane of the present day…

Yet…what has happened will come again and what will come again has happened…herein, one can reflect upon the history of time itself…where for every year of blight, there are years of prosperity…at such times, a being existing in such an era, may never foresee the alteration that shall take place and then again and again….yet, this is the case…and it works in times of positive or negative connotations

Seeing we are where we are, this reality, while keeping in mind that cycles can be broken, it is still, enough to have faith and hope that a positive future will rise once more…


And one must never forget…in spite of the shadows that hinder mobility, we as a united people, exist in a time where creativity is at its most functional, where art, is the language we can use to break free the constraints of negative domains and insure against the rapid decline of the positive realm.

Stop on over to the NWCU and take part in, or simply bear witness to, this week's Wednesday Wake Up Call.  It deals with History. Our history, whether we choose to observe, to document, to paint, to pen, it matters not, as long as we open ourselves to a deeper understanding of what has and is currently taking place.  

With some well-placed quotes and an exercise in both History and Philosophy, this exercise has the makings for a truly unique breed of prompt.  I can't wait to examine all the creative possibilities that will certainly be expected from such a hotbed for creativity as is always found within the pages of the NWCU 

Sunday, November 11, 2012

The Arena in the NEWS (For Creative Tuesdays)



The latest Creative Tuesday's challenge is upon us.  This time around the theme is truly NEWSworthy.  Such a theme as news, is so open to varieties of interpretation, I just can't wait to see all the responses that are brought together.

For my piece, I originally intended to draw an old style radio tower.  Before the advent of the internet and all the strands of modern media, we had television.  Yet, before television, there was radio.  One could easily go back further and further, eventually settling on scratches into cave walls.  But, as I was drawing the towers, I went blank, kind of in a zone, and the picture, and all it's lines morphed into something different.

It was here that I remembered a story.  While I can't recall the exact details, it told the tale of millions and millions of dollars were invested in the construction of a new stadium.  The taxpayers were on the hook for the vast majority of the funding.  They didn't have a professional sports team, yet felt they were in line.  In fact the inside information gave them belief, hope that they would be awarded with the bid.  So the town, in all their joy and happiness, decided to put their chances over the top, to construct this beautiful stadium, the best the world had ever seen.

Someplace midway through the process however, many negatives appeared.  First there was an overall, nationwide, depression of economy, which saw the materials needed to complete the project jump up in price dramatically.  Anytime a bid takes place, research is conducted, as to logistics, which include, to a major extent, the pricing of those things necessary for the project.  Well, with the economic blight that persisted, prices shot up dramatically, and the project ran out of money.

But the politicians were not afraid, as they had a great number of privatized backers that had indicated previously that they would help if the situation arose.  Many of these individuals, despite making the promises they had made, had to back out for the huge hits their companies and portfolios had taken.  But still, there were so many, the politicians were not afraid.  They knew that they would get the funding.

Everything changed however, when the professional sports leagues to which they were seeking bids, changed their tunes.  One decided that due to the economy, expansion was not a responsible endeavor.  Another decided to do the same.  The others decided to go with different cities.  So now, today, this city has this shell of what would've been the most impressive stadium ever.  It has since become a black eye upon the public, a reminder of how priorities can easily get diverted by the promise of fame and attention.

So, in a situation such as this, Who, who is to blame?

Wednesday, August 31, 2011

Inter-Dimensional Predatory Rights, Rules and Regulations

Ok.  This piece is extremely abstract.  So, that said I feel it necessary to put together a brief overview.  As always painting, all of art really, is meant to bring about a reaction.  Interpretations, whatever it may be is the correct idea, regardless of what I or any other artist claims a piece to being representational of.  It's whatever you get out of art that matters.

That said, I'll uncover some of the clues in this Mosaic inspired abstract.  There is a story to tell.  Look at the tags to get some of the basic themes.  The symbols have meaning, they aren't simply decoration.  Yet, these symbols are made up, to a certain extent.  What I did was take characters from languages and history and used those as models for putting this together.  But I think you can figure out what each means without knowing exactly what each represent, well at least I hope I did a good enough job that you're able to.  

The piece is really about 3 dimensions.  Future earth, where hearts are free to love and explore.  In the future earth building represent the person.  There is a reptilian destroyer of worlds, who has taken hiding in this future earth.  Destroying the inhabitants of this small patch of love.  The wormholes appear and enter the Galactic enforcer, he's reptilian in nature too, but a hybrid of humanoid, druid and lizard.  He's the good guy and he wields a hammer- hint.

Okay, so the symbols can be read in a few ways, either they were scribbled across the landscape by the "earthling" prior to destruction, or the Reptilian heavy, who could have written them as marking down a history of his victory over the earthling.  Or it could be love, calling out for help, trying to signal anyone that could possibly hear its call.   I've also been told it could be the Hero, letting the "Earthlings" know all is safe once again.  Possible, interesting, but I don't know about that, seeing he's just arriving as the piece begins.

Anyhow, it's up to you to decide.  Perhaps you'll have looked at the piece prior to reading all of this.  Hopefully you will, that way your interpretation won't be tainted by what I had in mind.  Again I typically don't like mentioning what something is about, but with the really abstract pieces I've been told it helps.